BIO ◆
MATILDE AMIGO FERNÁNDEZ (1984)
 


Matilde seeks to connect knowledge to sensitivity, from a space of listening and genuine revelation. She develops transdisciplinary research processes with diverse work teams, seeking different ways to open up and reconsider “consensual” information approaches.

Director of TAO TE QUEEN (2023-2024), MARCIAL (2018-2022), HISTORIA NATURAL (2018); JUNTA (2015) and GRUPO H (2016).

Her project has been exhibited at: La Casa Encendida (Mad/ES);  Koppel X (Ldn/UK); Feria Barcú (Btá/COL); Cinemateca de Bogotá (Btá/COL); Festival LOOP at Museo Picasso (Bcn/ES); Festival Ch-Cx at Monopol (Ber/DEU), NAVE (SCL), Teatro U. Mayor (SCL), among others.
She has been resident of LA CASA ENCENDIDA (Mad/ES), GESSNERALLEE (Zrh/CH), LA ESCOCESA, GRANER, L'ESTRUCH, LA PODEROSA and LA VISIVA (Bcn/Es), NAVE (SCL).
She has received the prizes Fonds Darstellende Künste 2023 (Ber/DEU), Research trip Pro-Helvetia 2023 (Zrh/CH), OSIC Becas para la investigación y la innovación 2021 (Bcn/ES), FONDART creación escénica 2018 (Stgo/CL), among others. 

She works as a performer in MONTAÑAS VIVAS; PROCESIÓN - Un Ritual de Agua; FRONTERA/BORDER - A Living in Monument by Amanda Piña (2022-2023); TRANSMATRIA by Rocio Marano (2022); APOCALIPSIS ENTRE AMIGOS by Julián Pacomio (2021-2022); RELÁMPAGO by Sofía Montenegro (2021); and dancer of Jose Vidal y Cía. (2011-2019).

Master in Scenic Practice and Visual Culture at Museo Reina Sofía and Universidad Castilla la Mancha (2020). Degree in Dance Pedagogy at Universidad de Arte y Ciencias Sociales ARCIS, Chile (2010). Studies in Art, Technique and Technology at Universidad de Chile (2019); and in Chinese Medicine from the San Bao School of Traditional Chinese Medicine (2012).